Alle anderen 2009

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Ausgelöst durch ein scheinbar unwichtiges Ereignis während ihres Urlaubs in Sardinien - die Begegnung mit einem anderen Paar - gerät die Beziehung des ungleichen Paares Gitti und Chis ins Wanken. Chris beginnt, sich an den anderen zu orientieren. Alle anderen ist ein deutscher Spielfilm aus dem Jahr von Regisseurin Maren Ade. Das Beziehungsdrama mit Birgit Minichmayr und Lars Eidinger in den. Alle Anderen. Im Ferienhaus seiner Eltern auf Sardinien verleben Gitti und Chris den Sommer. Die impulsive PR-Frau und der grüblerische, arbeitslose Architekt. Birgit Minichmayr and Lars Eidinger in Alle Anderen (). Alle Anderen () Birgit Minichmayr as Gitti.

alle anderen 2009

Alle anderen ist ein deutscher Spielfilm aus dem Jahr von Regisseurin Maren Ade. Das Beziehungsdrama mit Birgit Minichmayr und Lars Eidinger in den. Komplette Handlung und Informationen zu Alle Anderen. Alle Anderen erzählt die tragikomische Geschichte von Gitti und Chris, einem ungleichen Paar, welches. Film: Alle Anderen () - openair - film, cinéma, dvd, suisse, programme, sortie​, revues, francais. Drama Horror Romance. Instead, the viewer is dragged along a two-hour stretch of two people boring click here other to shreds in my a scenario all too familiar to connoisseurs of German cinema. Color: Color. Suffice it to say that the movie explores the myriad elements that go into relationships, and does so without spelling them out in www.telekom.de/tut-uns-leid geschenk terms and without passing judgment on the characters. Chris Birgit Minichmayr A cuckolded embezzler on the verge of suicide is helped by a swank nackt hilary, an alcoholic playwright, and a pick-up girl to reimburse the money with a gambling sting. Herkes Gibi 1 Anonymous. Though the couple in this film does not seem as overtly unhappy as the one bs.to star trek discovery the American work, there is still something clearly eating away at their relationship. Click to see more 31 December Minichmayr plays Gitti and Eidinger plays Source and as the movie opens they appear to alle anderen 2009 a happily married couple. Komplette Handlung und Informationen zu Alle Anderen. Alle Anderen erzählt die tragikomische Geschichte von Gitti und Chris, einem ungleichen Paar, welches. Juni Quelle: DIE ZEIT, Nr. 26 2 Kommentare So wie Alle anderen von Maren Ade, der auf der vergangenen Berlinale den. Film: Alle Anderen () - openair - film, cinéma, dvd, suisse, programme, sortie​, revues, francais.

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Her story might be the kind Jane Austen would write if she lived today, when a young couple must learn about each other by living together -- but with the old problem of weighing themselves and their values against other people's and theirs.

Ade focuses on the relationship between a young architect and his publicity agent girlfriend as they think about how to be together as a couple while spending the summer at his parents' villa on the island of Sardinia.

Wonderfully natural acting by the two principals as well as action that shows off the mercurial twists in man-woman roles through day-to-day events make this film continually interesting to watch even though it lacks big dramatic payoffs.

But when the calibration is subtle, as with Jane Austen, little matters like buying a dress or deciding what to carry on a hike become matters from which much is to be learned.

Gitti shows her eccentricity when she tells the little daughter of visiting friends to be up front if she doesn't like her. She even lets the girl pretend to shoot her, then does a mock death and falls into the pool.

Chris seems a little insecure about himself; his talent as an architect has yet to pay off; he's uncertain about a competition he's entered, and Gitti is worried that he's a little wimpy.

Perhaps to be more assertive, he insists they spend time with his fellow architect Hans Hans-Jochen Wagner and pregnant wife Sana Nicole Marischka , whom he'd initially avoided, switching gears and now considering them as potential role models.

Eventually Chris acknowledges this wasn't such a good idea; that he and Gitti are happier and better off being who they are.

Though there's a somewhat failed hiking expedition, and Chris off-camera meets with a promising local client and his future suddenly brightens up, it's primarily the couple's weighing themselves against the seemingly more fortunate pair that embodies the film's life lesson.

The quirky redhead Gitti, given to fits of laughing, has insecurities too. She doesn't like it when she asks Chris if he loves her and he answers only by kissing her.

She's continually afraid he may stop loving her. Both of them in fact are in love and grateful that they ever met. This is unusual in being about a happy couple, who are not headed toward tragedy or betrayal or other dramas.

But the screenplay is nothing if not proof that "happy" isn't any more a fixed reality than "confident" or "grown-up.

Some male viewers of this two-hour film find it self-indulgent and interminable. There's little doubt that the second evening spent with Hans and Sana doesn't have to be allowed to run so long to make clear they're bores, and the film could have done with some trimming.

It also seems that Gitti's moodiness is allowed to go too far; you begin to wonder if she may need help. She just needs to develop more faith in the value of the cutting room.

Was this review helpful? Sign in to vote. Ade has that rare gift taken to it's peak by filmmakers like Eric Rohmer and more recently Nicole Holofcener of showing all the things movies usually don't.

The story is about a couple in their early 30s, and not far into their relationship, taking a vacation and in the process slowly discovering each other in relation to each other and the world.

Indeed the only brief moments the film feels false are when the biggest drama erupts. But for the vast majority of the time, thanks to wonderful performances by the two leads and Ade's seemingly casual, but very specific use of the camera, it feels like we are seeing the subtle, complex, confusing truth of a relationship, warts and all, in a way that's very rare on screen.

Similar in style and tone to last year's "Blue Valentine," the German film "Everyone Else" provides us with an oblique look at a troubled relationship.

Though the couple in this film does not seem as overtly unhappy as the one in the American work, there is still something clearly eating away at their relationship.

The most admirable aspect of the screenplay by Maren Ade is that it doesn't throw easy labels onto either the characters or the problems they're facing.

The movie is really more a piece of objective reportage chronicling their lives over the course of a few days than a plot- and theme-driven narrative leading us to a preordained conclusion about them as people.

Chris Lars Eidinger is a gifted but apparently not very successful architect, while Gitti Birgit Minichmayr , his girlfriend, who works in the recording business, seems to be generally supportive of his efforts.

Chris and Gitti are spending a relaxing vacation at his mother's home on the Mediterranean, when Gitti begins to off-handedly question Chris's masculinity we assume that it has more to do with his lack of initiative and drive than with his personal mannerisms.

In response, Chris begins to treat Gitti in an ever more callous fashion, trying to prove her wrong by acting in the dismissive and domineering way he assumes "real" men do, and in the way, if Gitta is any indication, women apparently want them to.

But this synopsis really only covers the tip of the iceberg, for there are clearly many more complex dynamics taking place within this relationship that are not so easily delineated and described.

Suffice it to say that the movie explores the myriad elements that go into relationships, and does so without spelling them out in simplistic terms and without passing judgment on the characters.

The parameters within which any relationship must be set are still evolving and fluid in the case of Chris and Gitti, and this leads to much pushing of the boundaries and behavioral experimentation on the part of the couple throughout the course of the film.

Ade's direction is unobtrusive and observational in nature, which allows the actors to interact with one another in a quasi-improvisational and thus wholly believable fashion.

There is, however, a definite downside to this type of storytelling — "Blue Valentine" suffered from it as well — and that is that the motivations for the characters' actions are often so murky and inexplicable that they can seem downright arbitrary to those of us who are watching all of this unfold from the outside in.

That's why Chris and Gitti strike us as being more weird and annoying — if not downright daffy - than anything else at times.

Thus, your initial response might be to assume that perhaps Chris and Gitti simply aren't meant for one another and that they might think about looking elsewhere for a relationship.

But, then again, if it were that easy to get out of a troubled relationship, we'd have no need in the first place for films like "Everyone Else.

It was written and directed by Maren Ade and stars Birgit Minichmayr and Lars Eidinger basically in every scene from start to finish as we follow their characters on a holidays in Southern Europe.

They play a couple that is clearly struggling with the lack of masculinity in their relationship, especially when they keep meeting another couple with a clearly different approach to the subject.

What can I say? I personally thought this was not a good watch. None of the 4 major characters in the film were likable to me and that resulted in me not caring for them at all.

People may say their flaws define their actions and make them interesting, but I personally did not feel they were written in a realistic manner.

It all felt so over the top, especially the scenes that the two had together. They were written in a way that lacked authenticity completely and allowed the actors to go as hammy as possible.

The only somewhat interesting scenes in my opinion were when the two met the other couple on 3 occasions because of the group mentality that was fascinating to watch on several occasions.

Then again it was really always the same basically. People acting as if they like each other when all they felt for the other was really despair and yet Minichmayr's character, even if she despised the strong alpha male, did not like the weakling that her boyfriend was.

Did not make any sense at all. Her character was clearly written in a way that should have been as baity as possibly, but in depth did not make any sense.

Eidinger's character's approach to acting like a feminine sissy or trying to be masculine and failing gloriously was neither a good portrayal nor intelligently written.

All in all the film lacked subtlety and good character writing from start to finish and the ending with the apparent split-up followed by the two acting in harmony again was extremely lackluster too.

The worst possible way that this could have ended. The material does not justify such a massive runtime. Do not be fooled by all the awards attention this movie got.

It is not worth seeing. Not at all. A typical festival film with zero audience appeal, 'Everyone else' could be used as a literally picture-perfect argument against state-funded film making.

The rudimentary story follows a young German couple on an Italian resort island. The man is an unsuccessful architect smooching off his parents they live in their holiday home , the woman a somewhat bipolar concert manager.

Their relationship is questioned by the man's lackadaisical loser attitude and the woman's whimsical fretting.

A story like this can only entertain, or at least interest, if it is a little funny. However the director Maren Ade takes very good care to avoid even the slightest trace of humor.

Instead, the viewer is dragged along a two-hour stretch of two people boring each other to shreds - a scenario all too familiar to connoisseurs of German cinema.

Still, 'Everyone Else' won the Berlin Festival's Grand Jury Prize and its female lead a Silver Bear - which, considering her lobotomous approach to acting, is quite remarkable.

This proves in my view once more the flimsiness of festival selections and the way awards are given away: a movie with such obvious dismay for any imaginable audience must surely be artistic and therefore prize-worthy - for culture politicians.

Not for cineasts and the general public, that's for sure. Learn more More Like This. The Forest for the Trees Yella Drama Horror Romance.

River of Grass Angels Over Broadway Certificate: Passed Adventure Comedy Crime. Stars: Douglas Fairbanks Jr.

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The Juniper Tree Drama Fantasy. Bad Blood You'll Never Get Rich Comedy Musical Romance. Hinterland Short Drama.

Edit Storyline Chris Lars Eidinger and Gitti Birgit Minichmayr are a couple whose relationship has more than its share of ups and downs; she works as a publicist for a rock group whose career is going nowhere in particular, while he's an architect who hasn't been able to persuade anyone to build one of his designs just yet.

Taglines: Vacation is the best time for meeting others, who give you a new orientation, with who you compare yourself, and who make you question your own feelings.

Edit Did You Know? Quotes Gitti : The giraffe only trusted Hans. Was this review helpful to you? Yes No Report this.

Add the first question. Country: Germany. Language: German Italian. Runtime: min. Sound Mix: Dolby Digital. Color: Color.

Latest TV Shows. Latest Movies. Popular Movies. Flypaper Wiese, Laura Zedda, Claudio Melis. While on a Mediterranean vacation, a seemingly happy boyfriend and girlfriend find their connection to one another tested as they bond with another couple.

German Anonymous. Herkes Gibi 1 Anonymous. Alle Anderen Anonymous. Alle Anderen DownloaDs.

Alle Anderen 2009 Video

Gitti Hans-Jochen Wagner Hans Nicole Marischka Sana Mira Partecke Urlauberin Atef Vogel Urlauber Paula Hartmann Rebecca Carina Wiese Schwester von Chris Laura Zedda Baby Claudio Melis Learn more More Like This.

The Forest for the Trees Yella Drama Horror Romance. River of Grass Angels Over Broadway Certificate: Passed Adventure Comedy Crime.

Stars: Douglas Fairbanks Jr. A Dandy in Aspic Action Drama Thriller. Elles Mississippi Mermaid Crime Drama Romance.

A wealthy plantation owner is captivated by a mysterious woman with a shady past. The Juniper Tree Drama Fantasy. Bad Blood You'll Never Get Rich Comedy Musical Romance.

Hinterland Short Drama. Edit Storyline Chris Lars Eidinger and Gitti Birgit Minichmayr are a couple whose relationship has more than its share of ups and downs; she works as a publicist for a rock group whose career is going nowhere in particular, while he's an architect who hasn't been able to persuade anyone to build one of his designs just yet.

Taglines: Vacation is the best time for meeting others, who give you a new orientation, with who you compare yourself, and who make you question your own feelings.

Edit Did You Know? Quotes Gitti : The giraffe only trusted Hans. Latest Movies. Popular Movies. Flypaper Wiese, Laura Zedda, Claudio Melis.

While on a Mediterranean vacation, a seemingly happy boyfriend and girlfriend find their connection to one another tested as they bond with another couple.

German Anonymous. Herkes Gibi 1 Anonymous. Alle Anderen Anonymous. Alle Anderen DownloaDs. Alle Anderen biloumax These people are just not worth caring about or observing in any way whatsoever.

The movie moves very slowly and is basically the equivalent of hanging out with horrible people for a very, very long two hours.

I'm going to keep this fairly short and sweet, which is not what the Director decided to do in this film. A long and laboring film about a couple who appear to have just met, but turns out are in a long term relationship, and have clear issues with each other and the wider world.

All of the characters were unlikable, unbelievable and unpleasant. The redeeming feature should be the cinematography, but that is ruined by the Directors inability to edit the shots down.

Uncomfortably long and voyeuristic sex scenes coupled with long silent pauses within conversations, which are painfully obvious there to portray the awkwardness between characters, add to audiences torture.

I didn't like nor care for the characters and I was desperate for the Director to put me out of my misery and end this film.

It finally did and I was happy. With some discipline, good actors and story this Director could achieve something watchable but unfortunately they didn't here.

After having seen them talking past each other for the first ten minutes, I expected the movie to begin. But it didn't.

I couldn't believe it would stay like this, so I continued watching. But nothing else happened. Please stop reading here, since that's all there is to say.

Unless you want to get a deeper idea of the movie's feeling. Unfortunately I have to fill another 4 lines in order to have IMDb let me submit this review.

Maybe thats similar to the writer's situation who didn't have any further ideas after having written the script's first pages.

Hellmant 18 February The film tells the story of an unhappily married couple on a Mediterranean vacation.

There's really not much else to it. It's a German film, with English subtitles, and it's written and directed by Maren Ade. It stars Birgit Minichmayr and Lars Eidinger as the couple.

Minichmayr plays Gitti and Eidinger plays Chris and as the movie opens they appear to be a happily married couple.

As the movie progresses we get to slowly know the couple and how they relate to each other. We gradually see the cracks in their relationship as they grow bigger and bigger.

In the end do we really care enough about these characters to really care if things work out between the two? I say no. The movie is well acted and for what it attempts to do I think it's well made to a certain extent.

I just don't admire what it attempts to do very much. It wants us to see what an average couple goes through in good times and bad and see what drives them apart and what keeps them together.

I think they portrayed a believable average couple realistically, it's just not the type of couple I'd care to spend much time with.

That's what the movie is like, spending a lot of time with an annoying bickering couple. For me that's hard to watch and pointless.

I can go hang out with some of my friends if I want to see that. Other than living the painful realities of a painful relationship the movie has nothing else of any value to offer.

There's nothing learned here and certainly nothing witnessed of any entertainment value. The movie just doesn't work.

Minimal German drama goes on and on. Mozjoukine 12 June The thinking is too obvious. Get a couple of well built people to talk for two hours, with some uninspiring nudity thrown in and no one has to find too much money to produce something that looks like a movie.

There are so many film festivals, one of them is bound to play it. Fraulein Minichmayr is lively enough and she's been in some real films Downfall, Perfume so her first scene with the little girl holds hope - "Tell me why you think I'm so awful.

Production values are in the competent unimpressive bracket. Have they no mercy? Even film festival subscribers deserve pity. You'll need an attention span greater than 4 seconds to enjoy this movie.

They talk to each other, paw each other, consider the other person's flaws and assets; magnetically in love and pondering the long term.

It would serve no purpose adding many details, except Gitti is showing lots of leg in the opening shots and not to give away the plot, but the legs remain in view for minutes of this minute movie.

The sex theme is entirely hetro-sexual -- a refreshing change in and why we chose this one over "Sex and the City 2.

I have only a few words to say about this movie. I am not interested in its ratings, and the angles in which it has been filmed, nor I will question the actors.

I couldn't have compared us to Gone with the wind, or other classic love stories. Its a little too much chick oriented to me and became boring and kind of vague.

If she dislike him so much why did she marry him?? It makes you feel to learn something about reality, also in your own life. Excellent German movie about tensions, honesty, lies, weakness, role games, superficiality in a relationship of a young couple.

A very smart, vivid and profound portrayal of problems in a partnership. The same director as of other successful movies, e.

Toni Erdmann! A young couple is visiting the Mediterranean island of Sardinia. Chris, an architect, and Gitti, who handles pop musical groups are staying at his parent's villa high above the town and the beaches.

They are left alone, when some other guests depart. Chris and Gitti are in a relationship that for all signs we get, are new at living together.

As they explore their sexuality, one gets the impression not everything is what it should be. Perhaps with time, they will achieve some degree of togetherness.

Chris has been in touch with someone in the island that wants to use his skills to remodel a home. Gitti finds herself alone most of the time, as Chris meets his prospective client.

Spotting a couple Chris knows, one day at a supermarket, changes their lonely existence.

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