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"Inga Lindström: Herz aus Eis", der Film im Kino - Inhalt, Bilder, Kritik, Trailer, Kinoprogramm sowie Kinostart-Termine und Bewertung bei TV fdata.se 49 Herz aus Eis: Eva Sellgren – Powerfrau und alleinerziehende Mutter des jährigen Rasmus und der Studentin Lisa – betreibt mit Leib und Seele einen . Eva Sellgren - Powerfrau und alleinerziehende Mutter des jährigen Rasmus und der Studentin Lisa - betreibt mit Leib und Seele einen kleinen Kiosk am. Directed by Martin Gies. With Carin C. Tietze, Philippe Brenninkmeyer, Markus Knüfken, Meira Durand. Swedish business consultant Kristian Norden leads an. Mit Carin C. Tietze und Philippe Brenninkmeyer ist „Herz aus Eis“ effektiv besetzt und die kleine Meira Durand gibt nach „Sterntaler“ ein zweites.
Eva Sellgren - Powerfrau und alleinerziehende Mutter des jährigen Rasmus und der Studentin Lisa - betreibt mit Leib und Seele einen kleinen Kiosk am. Herz aus Eis ist eine Folge der Fernsehkrimireihe Tatort. Der Film des SWR mit Eva Mattes als Konstanzer Ermittlerin Klara Blum wurde beim Filmfest Hamburg. Directed by Martin Gies. With Carin C. Tietze, Philippe Brenninkmeyer, Markus Knüfken, Meira Durand. Swedish business consultant Kristian Norden leads an.
Herz Aus Eis "Die Hölle Muss Warten"Nina packt neuen Mut und ihre letzten Reserven für eine Rettungsaktion. Diesen Artikel read more an. Ralf Nowak. Tietze hat Svenja Meira Durand bei click aufgenommen, nachdem ihr Internat wegen einer Epidemie geschlossen wurde. Als liebende Mutter movie2k der der weisen stream potter stein harry und studierenden Tochter und eines 13jährigen Sohns aber kann sie diesen Mann nicht verstehen. Tatort -Folgen. Die Frauen machen eine furchtbare Entdeckung. Tietze, rechts kann mit ihrem Rad gerade noch ausweichen. Sie verdingt sich als Haushälterin kinoprogramm oberhausen einem Unternehmensberater, der zurückgezogen mit seinem Sekretär einen prächtigen Landsitz bewohnt. Am Ihr idyllisch gelegener Kiosk am Meer soll abgerissen werden. Crazy Credits. Tietze, Inga Lindström: Herz aus Eis. Cast Eva Sellgren Carin C. Dieser hatte what simone witte opinion, ein illegales Aktiengeschäft zu verraten, mit dem die aus einfachen Verhältnissen stammende Viktoria ihre Film patterson sichern wollte. Diese Kinderfilme für die ganze Familie laufen am 1. Tietze, rechts https://fdata.se/free-serien-stream/news-promi.php nicht verstehen, warum ihr Boss kristian Norden so abweisend zu Svenja Meira Durand, links war. Einfühlsame Momente.
Herz Aus Eis - Reviews und Kommentare zu dieser FolgeFebruar erstmals im Ersten ausgestrahlt. Martin Feldkamp Jamie Bick Lisa Sellgren Tina Bordihn Perlmann und Blum erreichen den Ort rechtzeitig, um Olga lebend aus dem Wasser zu ziehen. Bewertung: 3,0 von 6. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Dieser Artikel hat Ihnen gefallen? Trailers and Videos. Sie verdingt sich als Haushälterin bei einem Unternehmensberater, der zurückgezogen mit seinem Sekretär einen prächtigen Landsitz bewohnt. Kristian's city mistress is no longer content with rare visits. Maren verletzt sich learn more here, doch Katrin findet ihre Freundin. Added to Watchlist.
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Photos Add Image Add an image Do you have any images for this title? Edit Cast Episode credited cast: Eva Mattes Klara Blum Sebastian Bezzel Kai Perlmann Florian Bartholomäi Maximillian 'Max' von Stein Nora von WaldstättenHerz aus Eis ist eine Folge der Fernsehkrimireihe Tatort. Der Film des SWR mit Eva Mattes als Konstanzer Ermittlerin Klara Blum wurde beim Filmfest Hamburg. und schlägt dir hart ins Gesicht. Doch du musst weiter. So weit das Auge reicht umgibt dich nichts als blankes weiß. Nur ein Herz aus Eis lässt. Für Links auf dieser Seite erhält fdata.se ggf. eine Provision vom Händler, z.B. für solche mit Symbol. Mehr Infos. fdata.se · Filme; Inga Lindström: Herz aus Eis. And, perhaps just as importantly, has Ursu written anything else like it? Always present, too, is the possibility that Hazel might save Jack from the immediate physical danger but still lose him emotionally. How much does that suck? Anne Ursu. I had a really hard time getting into the book because of this narration style and the randomness of its application. I have the feeling this was supposed to be a https://fdata.se/filme-stream-hd/rb-schwandorf.php, touching book. Plus the lemonade mouth ganzer film deutsch leaves off with nothing resolved, are they friends again or what?
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Photos Add Image Add an image Do you have any images for this title? Edit Cast Episode credited cast: Eva Mattes Klara Blum Sebastian Bezzel Kai Perlmann Florian Bartholomäi Maximillian 'Max' von Stein Nora von Waldstätten Viktoria Rosalie Thomass Olga Filonowa Constantin von Jascheroff Kevin Hausmann Kathrin Hildebrandt Frau Pütz Hanspeter Müller Kurt Wehmut Claudia-Sofie Jelinek Frau Süssmilch Justine Hauer Annika Beck Thomas Meinhardt Wagner Rest of cast listed alphabetically: Theresa Berlage For while the idea of a child being so immersed in stories is certainly a bewitching one, at some point that child must step out of that fairyland in some way in order for this to be a true story of personal growth.
Still, this is an exquisite book in many ways, and one well worth reading. I do wish, however, that this fairy tale had trusted in its own merits—and those of its valiant little heroine—a little more.
It could so easily have been something more than merely a charming and well-written homage. This review also appears in The Midnight Garden.
An advance copy was provided by the publisher. View all 45 comments. View all 13 comments. Am I the only one who didn't like this book?
I had a really hard time getting through it. I always try to read a book through the lens of the intended reader. That generally, though not always, is someone the approximate age of the protagonist, in this case a fifth grader named Hazel.
I am afraid that, though the story is at times exquisite in terms of writing, much of the language, the use of metaphor, and the proliferation of a Am I the only one who didn't like this book?
I am afraid that, though the story is at times exquisite in terms of writing, much of the language, the use of metaphor, and the proliferation of allusions to both classic and contemporary literature would be lost on most nine and ten year olds.
This left me with the question: who is this book really written for? First impressions: I feel the cover is cheap looking - it doesn't say "quality writing found here.
The first half of the book appears to be contemporary realistic fiction. Though I very much like Hazel, her angst gets to be annoying and creepy after awhile in this portion of the book.
Hazel is dealing with the divorce of her parents, with the feeling of being different and invisible, and with her changing relationship with Jack.
Jack is dealing with his mother's mental illness and his changing relationship with Hazel and the boys his age.
For a nine year old, Hazel does some pretty complex pondering and seems unrealistically self-aware. The sudden appearance of the fantasy element in the second half of the book is very jarring and unexpected.
There are no hints that it is coming, no smooth transition into fantasy. As a result, it is really difficult to suspend disbelief.
In addition, the ending is sudden and doesn't really resolve anything. Hazel follows Jack into the fantasy world that exists once they cross the tree line into the woods.
She misses her friend and is going to rescue him from the white witch. She rescues him from the white witch who appears to want nothing from either Hazel or Jack and puts up no resistance.
No big climactic moment. They just walk away and find themselves back home where nothing has really been changed or resolved.
I am often shocked at choices made during award season. Though adults might find books like "Breadcrumbs" award-winning, would the intended audience find them award-winning?
It is always interesting to compare "best" lists that teens come up with for a particular year with those that actually win the awards.
The books teens pick are often poo-pooed as "popular" literature by adults. What then is "success" as a writer if the intended audience has little or no interest in reading a book you have written, quality literature or not?
This book was not for me, nor do I think it will be for most nine and ten year olds. I'm just saying View all 24 comments.
Shelves: children-s-middle-school , 4 , , fairy-tales , starred I am not a regular reader of children's books and certainly not their connoisseur.
Literature aimed at elementary school students is not something I actively seek or even enjoy at my age.
But sometimes there are children's books that touch me in a special way. Breadcrumbs managed to bring out the memories of my childhood like no other book before.
This modern day retelling of Hans Christian Andersen 's The Snow Queen is an homage to all the wonderful stories of my childhood and some that captured I am not a regular reader of children's books and certainly not their connoisseur.
Incidentally, The Snow Queen was a big part of my childhood too. I still remember very clearly Gerda's quest to save her best friend Kai after he was whisked away by the Snow Queen to the Queen's cold, cold ice castle.
While Anne Ursu stays very close to Hans Christian Andersen 's original story, preserving the tale's sense of loneliness and coldness, she adapts it perfectly to modern times.
The children have modern troubles - Jack's mother is going through a deep depression, Hazel has to deal with her adoptive parents' divorce and to bring herself to fit in a new, difficult and different school.
Ursu's best addition to the old fairly tale, IMO, is her interpretation of the enchanted forest with the Snow's Queen's castle at the end of it as a place of retreat for the souls who want to escape their troubled real lives.
Such place can be very attractive from the outside, but it is gruesome when you are in it. Although Breadcrumbs is a lovely, atmospheric story, I don't think it surpasses its inspiration in quality.
I think it could have been smoother. The second part of the novel, where Hazel embarks on her quest through the magic forest and encounters many curious people, animals and magic objects is a little muddy in its messages or I might be too dense or too adult to understand them.
However, the novel's best achievement is that it captures the internal world of a reading child perfectly. It is both a little lonely and full of wonder I suspect those unfamiliar with children's books and who never were avid readers in their kid years will not enjoy Breadcrumbs quite as much as I did.
View all 14 comments. Breadcrumbs follows a concept of a rather done-to-death story, but executes it in a beautiful, contemporary manner that calls back to childhood nostalgia with so much vibrancy and life that it's uncanny.
A story of growing up, letting go and holding onto those you care about the most, while to many it could easily be dismissed as just another retelling akin to Disney's Frozen , Breadcrumbs has a kind of depth that I've never really seen anywhere else in a story like this.
It has a great moral for Breadcrumbs follows a concept of a rather done-to-death story, but executes it in a beautiful, contemporary manner that calls back to childhood nostalgia with so much vibrancy and life that it's uncanny.
It has a great moral for younger readers, especially those growing up and facing the differences between their friends or siblings for the first time - people change, and people can grow apart, but the people who are true friends will be there for you no matter how strongly the opposites shove between you.
An adventurous journey full of literary pop culture references as well as a fantasy novel, Breadcrumbs captures everything that readers have come to love about fairytales and fiction, not only the escapism and fun, but also the way that fairytales can allude to reality better than some might think.
View all 3 comments. I don't even know how to go about this review without gushing like an incoherent loon. Oh, boy.
I loved reading it for the beauty of the storytelling and for the way it made me feel, and I respected it for the same reasons as well as one very important one: Anne Ursu respects her audience.
It is very, very rare to find an I don't even know how to go about this review without gushing like an incoherent loon.
It is very, very rare to find an author - or an adult, for that matter - who respects children and what they are capable of.
So many adults who have dealings with children parents, teachers, authors, etc have a tendency to sugar-coat things and say that kids "aren't ready" for certain things; they pretend kids "won't understand".
They have forgotten what it is to be a kid. I think, when we force ourselves, we can all remember what it was actually like to be a child and to be "treated like a child" - to have the adults around us speak of things as if we don't understand, or try to hide things from us that we already fully comprehend.
As if a child isn't aware that they are growing up with divorced parents or an alcoholic mother, or an abusive father or anorexic sibling.
It's so very rare, then, to find an adult who realizes the strength and understanding children really do have, and embraces it and showcases it.
Anne Ursu does just this. Her story is non-flinching and not necessarily going to have a happy ending. No magic wand is ever going to be waved.
There are a lot of villains in the world, and they come in all sizes, but there is no Big Bad Villain, just time.
There is a depth of pain to the story that I found really affecting; I didn't expect it to have such a range of experience and emotion.
I don't want to turn anyone off by saying this, because it is not like it's some sob story written with the intent of making you cry.
It's just, there's an everyday pain worked into the story. There are broken homes and mental illness and that mix of longings that seem to come at a certain age - the longing to be "grown up" and figure things out coupled with the longing to have things remain easy and carefree and the same.
The story is deceptive in its simplicity: a contemporary retelling of a fairly unknown fairy tale that is layered with understanding of human nature, issues of self-identity, crises of faith and a friendship so fierce its heartbreaking.
It's full of these melancholic little word-gems. Which, yes, sounds a lot more emo than I'd intended it to, but that doesn't make it any less true.
It was a very full reading experience. It was funny and modern and very, very true , and I adored Hazel. There is light to balance the dark, and a healthy dose of the magic and fantasy a story like this needs to thrive.
We tend to think of coming of age stories as the transition into recognized adulthood, but I think this is very much a coming of age story for the almost-teen set.
There's also this almost-but-not-quite metafiction aspect to it that I really liked. In some ways, on top of the very well done retelling, there is a focus on storytelling and the effects of stories in our lives.
Avid readers, young and old, will see many familiar names and events from their own childhood faves and classics.
I've talked in complete circles, I know it. But I feel like I can't say too much, and I can't say enough. I feel like there is something here for everyone.
You can read it as a fairy tale retelling and leave it at that. You can enjoy it as a coming of age novel and feel a little wistful.
You can find yourself in the wood, confronting your own yearning and sadness, or just glory in the beauty of a good story, well told.
There is no real villain but time. We all cried, students, teacher and aides alike. It was one of our longest story times because it was so hard just to get through.
Afterwards, we talked about the story and about compassion; about war and mankind and history. Years later, when I was taking a Children's Lit class, I emailed my 2nd grade teacher and said "I'm sure you don't remember me she did , but I'm hoping you remember this" and I described what I remembered of the story.
I asked her for the name of it because I wanted to present it to my class, and I thanked her for having the respect for children to be willing to read that book to us and let us connect to each other and show what we were capable of understanding and feeling.
Not many teachers would be willing to read a story that would make an entire classroom of 7 year olds cry. It was a ballsy move, and I respected her for it.
She took my email in; she retained permission. She also bought me a copy and signed it to me, thanking me; it sits proudly on my shelves to this day.
She died unexpectedly the next year, and I am so sad for all of the classes of children who are going to miss out on a teacher like her.
I credit her with being one of the key people who inspired my passion for books. This, I think, is the power of storytelling, and this is why I respect books like this, that treat children as people, so much.
I hope you'll read this, and I hope you'll share it and all of your favorite stories, with a child in your life.
View all 22 comments. Originally posted on Small Review 2. Because I didn't really like Breadcrumbs.
To say my expectations were high is an understatement. I love fairy tale retellings, the cover is beautiful, and a friend even mailed me her copy to read after she loved it.
People are even talking Newbery! I have a lot to hide from. I am the wrong reader for this book Yes, Breadcrumbs is a fairy tale retelling, but it is also a conte Originally posted on Small Review 2.
I am the wrong reader for this book Yes, Breadcrumbs is a fairy tale retelling, but it is also a contemporary and deals with issues of depression, friends growing apart, divorce, adoption, and not fitting in.
Hazel is so incredibly lost and her sadness is a tangible thing. I didn't expect any of this going in, so I was very shocked when half of the book focused solely on these topics.
Breadcrumbs is broken into two mostly equal-length parts. Part one is almost completely contemporary and only contains one tiny bit of fantasy which is more metaphorical than fantastical.
This section follows Hazel as she struggles with all of those issues I mentioned. I was totally bored with this part. I'm not really a contemporary reader, and I'm really not a contemporary issues reader.
Between Jack's mother's depression, Hazel's absent through recent divorce and remarriage father, Jack's falling out with Hazel, and Hazel's difficulties in school, I felt completely bogged down with sadness.
And boredom. I just don't like reading about these sorts of things. I couldn't relate Breadcrumbs uses the third-person omniscient narration style, with a sometimes focus on Hazel's perspective.
I had a really hard time getting into the book because of this narration style and the randomness of its application.
Sometimes it felt like an adult voice, sort of like a "Once upon a time" type of narrator. Other times it felt like the voice of Hazel, which seemed to me like a very young MG or even elementary school voice.
I never felt like I could settle into the story due to these changes in narration voice. Usually I'm ok with MG book, even when they're written on the younger end, but Hazel felt a little too young for my tastes.
I also had difficulty connecting with her personality so I never felt invested in her or her story. That isn't to say there is something wrong with the way Hazel is written.
We're just very different people. Hazel is an extremely imaginative girl and I'm At least, not like Hazel. She's so focused on her imaginings that her dreamy tendencies are causing her trouble in school.
This is another point I could not relate to at all because I was the most anal rule-following elementary school kid imaginable.
Part 2, or when the fairy tale finally started I was a lot more engaged with part 2 due to the fantasy aspects. Hazel's wandering through the woods in search of Jack felt almost like Alice's experiences in Wonderland which I never liked, and didn't love it in this version either.
Hazel encounters many different fairy tale characters, but they're not the ones you might expect. Anne Ursu incorporated a bunch of the more obscure Grimms' tales, but these tended to be the darker stories think chopped off limbs, torture, and death.
I liked this for its freshness, but I was kind of bummed that part 2 carried over the sad, oppressive feelings that part 1 focused on.
What kind of reader IS a good match? I couldn't help but wonder who I would give this book to in my library. Hazel's voice is so young, but the fairy tales would probably disturb my younger library kids who might otherwise relate to her I can't speak for your kids or library kids.
There isn't much resolution of Hazel's real life troubles, and there are no happy endings with the fairy tale aspects.
If it weren't for the lack of resolution and for some kids, the darker elements I would have recommended Breadcrumbs in a heartbeat.
Any kid going through similar problems to the ones Hazel experiences in part 1 would probably find Breadcrumbs extremely easy to relate to.
They would also probably find it comforting to see their situations so sensitively mirrored. The lack of resolution gives me pause though.
The Snow Queen story arc is resolved, but in real life kids who experience a break with a childhood friend aren't going to find their solution so easily.
While they may related to Hazel's difficulties in school or her situation with her parents' divorce, Breadcrumbs offers very little in terms of a happy ending or way of coping in fact, pretty much all of those plot points are left as loose ends.
Adults, I think. Anne Ursu does a beautiful job using imagery and fantasy elements as a metaphor for Hazel's issues.
There is much to discuss from a literary standpoint and the characters as emotional vignettes are palpably drawn. I don't feel like the book came together in a cohesive manner too many different directions, loose ends, inconsistencies in voice but each individual part was well-written.
The very thing I didn't like--the oppressive sadness--is in itself a testament to Anne Ursu's ability to powerfully convey the emotional state of her characters.
Bottom line Not for me. I wasn't feeling Hazel or the story or really much of anything beyond this is so depressing and I didn't like how so much time was spent in the contemporary world only to abandon pretty much all of those threads in part 2.
There were a few bright spots that caught my attention Hazel's friend's uncle, the presentation of some of the fairy tales--though NOT The Snow Queen , but I disliked Breadcrumbs more than I liked it.
I'd take my review with a grain of salt though because what this all boils down to is Breadcrumbs and I were just a case of "Wrong book, wrong reader.
Originally posted on Small Review View all 19 comments. Shelves: fantasy , graphic-illustrated-novels , audio , read-in , middle-grade , children-s.
Jack has his other friends and another life in school, where Hazel does not attend. But Jack still relies on Hazel. Until one day, when Jack turns his back on Hazel and seems to reject her from his life.
Could he have changed so drastically overnight, or is there a more unnatural reason for his coldness? It reminds me of Tender Morsels , but with a darker slant.
A part of you has to want to go there. But what I love more is how this metaphor ties so strongly to my own experience.
More universally, this metaphor also applies to depression and despair in anyone. I never quite connected; I never got to that point of feeling the story.
I never had my heart ripped out and I really wanted to! She is supposed to be imaginative but never really comes across that way.
What about Voldemort? I guess I would have liked to see her develop internally, earn a little inner strength, accept that she and Jack may not always be as close as they were in their idyllic childhood.
I mean, all of those things are hinted at, but never really developed in my opinion. The ending itself feels abrupt and never achieves the emotional intensity that I was really hoping for.
She has a new album out this month so I have an excuse. Each song is inspired by a different classical piece.
The lyrics to this song immediately struck me as a perfect pairing for this book. This song is about holding onto someone in your heart even though he may be leaving.
You will not ever be forgotten by me In the procession of the mighty stars Your name is sung and tattooed now on my heart Here I will carry, carry, carry you Forever View 2 comments.
No book is more challenging to read than one that promises so much and delivers so little. It makes you question those who loved it and your own interpretations and reactions.
In four and a half years of nightly family read-alouds, this is the only book we two adults, one 8-year-old boy ever considered not finishing; the only one with so little enjoyment that we felt it wasn't worth our time.
We did stick it out, but it was a frustrating and unrewarding struggle. B No book is more challenging to read than one that promises so much and delivers so little.
When Jack appears to go missing, she treks into the woods to find him and bring him home. The first half of the book deals with Hazel's school and home experiences and her worry over Jack; the second half details her experiences in the woods by way of small vignettes with a variety of characters from Hans Christian Andersen's tales.
Unfortunately, the promise of that outline goes unfulfilled, largely due to the deep unlikability of the main character. My son at first thought that Hazel just didn't seem very "alive"; by the end he was bored by her self-centeredness.
My partner thought that the author couldn't possibly be creating such a self-involved character without going on to prove that she was so, and thereby having her grow and reflect on her past actions.
I harbored no such illusions: I felt from the beginning that Hazel was selfish, self-absorbed, self-pitying, and ignorant of any other perspective than her own.
Sadly, she remained that way nearly through the end of the story: it took until page of a page book for Hazel to commit her first selfless act, and she is by no means "cured" of her selfishness from that point on.
Frankly, it was far too little, far too late; there was no recovering at that point as we slogged through to the end.
What went wrong? On the surface, Hazel has the trappings of a great main character. She is bright, creative, imaginative, and caring.
She has a sympathetic outsider perspective because of her heritage: she was adopted as an infant from India by her White parents, who are now divorced.
All of this makes Hazel sound like a prime character to embark on a quest and discover herself. This does not happen, and the fault is in the writing.
We never actually see Hazel being bright or creative or imaginative; we are only told that she was considered so at her last school.
We do get a glimpse of imagination when she participates in story invention with her acquaintance Adelaide, but she is no more creative than Adelaide is.
Her friend Jack is actually the one with the most imagination; he draws comics and makes up games that Hazel greedily devours, but does not contribute to herself.
Hazel's difficulty with being Indian in a primarily White school is illustrated once in a flashback in which Hazel describes seeing another girl of color at a school gathering and attempting half-heartedly to connect with her.
As far as Hazel's supposed capacity for caring, this is grossly misrepresented. Hazel does not care for Jack so much as she is obsessed with him.
She is consumed with possessing his attention and time, and only grudgingly "allows" him to spend time with any other friends.
She makes no effort to try to get along with those friends, and only waits, sullenly, until Jack is ready to be "hers" again.
She has no pastimes or interests or activities outside of what Jack brings her; despite her constant literary references I don't believe we ever actually see Hazel enjoying a book.
She reads, but it is only to kill time. At one point Hazel states that "nothing really happened to her unless she told Jack about it", and this is entirely true.
There is nothing in herself that makes herself Hazel; that makes her real and alive and sympathetic. And yet the author never acknowledges this in any way.
For someone clearly familiar with children's literature, Ms. Ursu would have done well to utilize the key element of underdog charm: the promotion of self without the condemnation of others.
He revisits past encounters, feels remorse and shame, and uses his new knowledge to move forward. All of these flawed characters are wonderful because their imperfections mold their personalities as they learn to grow and accept them.
Most importantly, they learn how to see through eyes other than their own. These authors clearly loved their characters. Yet they did not let that love blind them to their many faults.
In contrast, I strongly felt that Ms. Ursu was insufferably smug in her approval of Hazel's actions. All in the guise of "being an outsider," Hazel judges everyone around her teachers, family, kids, former friends and dismisses help when it is offered.
In turn, she does absolutely nothing to help herself: she never draws on her "creativity" or "imagination" to create a world or to define herself.
Everyone and everything is genuinely presented either to be against her or for her use. In the forest she comes across three women who don't give Hazel what she wants, and she responds with "They were supposed to help her.
Why were they there, if not to help her? Ursu displays no irony or awareness when writing these sentiments; she clearly feels that Hazel is indeed being dealt an unfair blow.
At school, Hazel is bullied. But in her own way, she bullies back by continually stating, mostly to herself and at times to others, how the ignorant kids aren't up to her level, how the teachers are cruel idiots, and how she can't ever get what she wants in life due to other people's failure to correctly set up the world.
Here is where the writing is at its worst: it creaks and clunks across the page, managing to be desperately overwrought and still empty of any real feeling.
Over and over again for the entire first half of the story we are treated to lengthy, heavy-handed descriptions of Hazel's isolation and suffering; isolation she has, in part, created for herself by her snobbery, and suffering that is no less self-inflicted by her melodramatic self-absorption.
Jack's act of "meanness" is hardly so, but Hazel never stops to think that maybe he had a bad day? Maybe he wants to do something else for an afternoon?
Maybe he's socially awkward around different friends? Or maybe he genuinely doesn't like her anymore? All of which are possible Ursu's position that Hazel is correct in what she does, that she sees more clearly than others, that she is better than they are.
If you step back and see what actually happens with an impartial eye, such a claim is not only ludicrous, it is offensive.
The damage is done early and often, but the second half of the book is no more enjoyable to read. The two halves of the story have little to do with each other stylistically, save the overblown writing.
Over the last 75 pages, less time is spent bemoaning Hazel's state although we are by no means reprieved of this , which would sound promising if the story weren't so deeply mired in dullness: the fairy-tale vignettes barely connect to each other save by a menacing-nature theme which goes nowhere.
And as I stated earlier, any redeeming quality we as a family could count them on one hand and have fingers left over was too little, too late.
It would have taken a huge act of skill to make Hazel likable and make her journey worth reading.
This is a lengthy review, I know. But I wrote it because so many people apparently loved this story; I wrote it to explain my our deep disagreement with its entire approach, not to dismiss it out of hand as if I hadn't read and measured it thoughtfully.
For some reason, we all were so excited to read it: the artwork is lovely and the jacket descriptions and quotes enticing. But it in no way delivered what we thought we'd get out of it.
My son hoped for a quest to spirits, creatures, and nature. My partner hoped for symbolism and a link to myths and tales past. I hoped for something otherworldly, a gem of a story to add to the pantheon.
We all hoped for magic. We were all sorely disappointed. It was captivating and the writing is riveting. The people Hazel meets on her journey were fascinating.
With that said I had a few problems. Hazel was way over dependent when it came to Jack. There also was no big climactic moment the witch just lets them go,like seriously that's it?
Plus the book leaves off with nothing resolved, are they friends again or what? That being said this was an enjoyable read that I recommend.
A boy and girl are friends. Something happens and he grows cold and distant. With that in mind author Anne Ursu has done the mildly impossible.
She has updated the old tale to the 21st century, thrown in references to other Andersen tales, and generally written one of the more fascinating and beautifully written, if sad, fantasy novels for middle grade readers of the year.
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